Historical Perspective Most poem readers would take the poem at face-value, disregarding its poetic composition, rhyming and ideas asserted. According to Robert Frost, the poem was composed in just one night. A love for nature, imagery and personification are found recurrently.
Published in it quickly became a poem to keep in memory and although many people know the words by heart, interpretation isn't quite as straightforward. Robert Frost, when asked if the poem had anything to do with death or suicide, denied it, preferring to keep everyone guessing by simply saying 'No', but many think that the poem can be construed as a dream-like image of someone passing away, or saying a final goodbye.
In many ways it's a poem that trusts the reader, the words and the sounds and the sense appealing to all types, from those who regard it as no more than a winter scene with snowy woods, horse and rider, to others who feel a shudder when they read the final two lines.
It is this ambiguity that keeps the poem fresh. The narrative sets up this subtle tension between the timeless attraction of the lovely woods and the pressing obligations of present time.
His house is in the village though; He will not see me stopping here To watch his woods fill up with snow. My little horse must think it queer To stop without a farmhouse near Between the woods and frozen lake The darkest evening of the year.
He gives his harness bells a shake To ask if there is some mistake. The woods are lovely, dark and deep, But I have promises to keep, And miles to go before I sleep, And miles to go before I sleep. Analysis of Stopping By Woods On A Snowy Evening Stopping By Woods On A Snowy Evening has four stanzas, all quatrains of iambic tetrameter, that is, each line has four beats, stressed syllables, maintaining a regular rhythm within the poem, perhaps suggesting the plod of a slow moving horse.
Rhyme Scheme Rhyming words are very important in this poem as they contribute to the opposites of moving on or stopping, a major theme. Note that in the first three stanzas the third line of each does not rhyme with the opening two lines and the last.
It creates an obstacle, it temporarily stops the smooth flow. Yet, this third line is a connecting link to the other stanzas, it provides momentum too.
The rhyme scheme is aaba bbcb ccdc dddd and all are full. All the lines flow, there is no punctuation to create pauses caesurasuggesting a continuation of life, a smooth familiar routine. Personification Third stanza, lines nine and ten - the horse gives a shake as if to question why they have stopped.
Alliteration There are several examples: Further Analysis Line By Line Lines 1 - 4 Starting off a poem with a possessive pronoun is a brave and unusual thing to do but Frost manages to make it work, immediately grabbing the reader's attention.
It's as if the speaker is sitting close by, thinking out loud, perhaps whispering. But this initial thought isn't crystal clear, the speaker only thinks he knows who owns the wood - the first uncertainty is introduced - and he is making this statement to reassure himself as he comes to a stop, breaking his journey.
There is a gentle, slightly mysterious atmosphere created by the second, third and fourth lines, all suggesting that the owner of the woods lives elsewhere, is separate and won't see this visual 'trespasser' near the woods.
It's as if there's something clandestine going on, yet the image presented to the reader is as innocent as a scene on a Christmas card.
The rhythm of each line is steady, without variation, and there is nothing odd about it at all. Lines 5 - 8 The second stanza concentrates on the horse's reaction to the rider stopping. Enjambment, when one line runs into another without a loss of sense, is employed throughout.
In effect, this is one long sentence, the syntax unbroken by punctuation. Again the tetrameter reassures and lulls the reader into a false sense of security - the language is simple yet the meaning can be taken two ways. Queer is a word that means odd or strange, and the implication is that this person doesn't ordinarily stop to admire the view; he only stops at farmhouses, to visit, to feed and water the horse?
Why stop tonight of all nights?
It's December 21st, winter solstice, longest night of the year, midwinter. Or is that word darkest misleading the reader? It is certainly winter, we know from the snow and cold, but darkest could just mean that, deep into the night, dark as ever.
Stopping by Woods on a Snowy Evening: Analysis of Background • Stopping by Woods on a Snowy Evening by Robert Frost was first published on March 7, in The New Republic. • Stopping by Woods on a Snowy Evening is one of Frosts most popular poems. Analysis of Stopping By Woods On A Snowy Evening Stopping By Woods On A Snowy Evening has four stanzas, all quatrains of iambic tetrameter, that is, each line has four beats, stressed syllables, maintaining a regular rhythm within the poem, perhaps suggesting the plod of a slow moving horse. Robert Frost: Poems Summary and Analysis of "Stopping by Woods on a Snowy Evening" () Buy Study Guide On a dark winter evening, the narrator stops his sleigh to watch the snow falling in the woods.
Here sits the rider on his horse in what appears to be inhospitable countryside, staying too long, thinking too much? And all the long vowels tend to reinforce the lingering doubts of the horse.
More Analysis Lines 9 - 12 The horse is uncertain, it shakes the bells on the harness, reminding the rider that this whole business - stopping by the woods - is a tad disturbing. This isn't what they normally do.
This is unfamiliar territory. It takes a creature like a horse, symbol of intuition, noble grace and sacrifice, to focus the rider's mind on reality. They ought to be moving ahead; there's something about the way this person is fixed on the woods that worries the horse, apart from the cold and dark.
There is no logical or direct rational answer given to the horse, there is just the speaker's observation beautifully rendered in lines eleven and twelve, where alliteration and assonance join together in a kind of gentle sound dance.Analysis of Robert Frost's "Stopping by Woods on a Snowy Evening" "Stopping by Woods on a Snowy Evening" is a very well know poem by Robert Frost.
The poem appears to be very simple, but it has a hidden meaning to it. “Stopping by Woods on a Snowy Evening” is an example of Frost’s art in this respect: It gains its power by suggestion and implication, in its .
Robert Frost: Poems Summary and Analysis of "Stopping by Woods on a Snowy Evening" () Buy Study Guide On a dark winter evening, the narrator stops his sleigh to watch the snow falling in the woods. In "Stopping by Woods on a Snowy Evening," the speaker is tired from the journey of life.
He stops by the woods on the darkest evening of the year. Even the little horse thinks it is strange to be. Analysis of "Stopping by woods on a snowy evening" "Stopping by Woods on a Snowy Evening" is a very well know poem by Robert Frost.
The poem appears to be very simple, but it has a hidden meaning to it. The simple words and rhyme scheme of the poem gives it an . Analysis of "Stopping by woods on a snowy evening" "Stopping by Woods on a Snowy Evening" is a very well know poem by Robert Frost.
The poem appears to be very simple, but it 4/4(1).